MORE! AOR, Hard Rock and Melodic Rock News on 26/09/2016

Tracii Guns and Phil Lewis reunite LA Guns and release new album in 2017

Frontiers Music Srl is delighted to welcome the reunion of Tracii Guns And Phil Lewis as L.A. GUNS to the label for the release of a brand new album set for release in the summer of 2017.

After a nearly 15 year break, Philip Lewis and Tracii Guns are back together for another chapter in their partnership that began in 1986, four years after Tracii formed L.A. Guns in 1982.

Their writing partnership spawned classic L.A. GUNS songs such as “Sex Action”, “Never Enough”, “Electric Gypsy”, “The Ballad Of Jayne”, and countless more in an impressive catalog of fan favorites. The last time Lewis and Guns joined forces was back in 2000 with legendary producer Andy Johns for the making of what would become “Waking The Dead” – an album that went on to receive tremendous critical acclaim and proved that their musical partnership was every bit as strong as the early days with all-killer-no-filler songs including “Don’t Look At Me That Way”, “Hellraisers Ball”, and “The Ballad”.

“I think we owe it to our fans who have stuck with us during the many ups and downs of the band’s long and checkered career,” says Lewis. “Tracii and I have written the songs to the soundtrack of many people’s lives, and I think it’s definitely worth investigating to see if the magic is still there.”

As for Guns, he’s been compiling song ideas over the last year and promises this one will be one of the band’s heaviest records, simply stating, “It’s good to be home.”

The band has already confirmed a bunch of UK shows in early 2017 and two shows at the legendary Whisky A Go-Go in Los Angeles, CA with more surprises to be announced soon!

TOUR DATES US & UK

March
03. Los Angeles, CA, Whisky A Go Go
04. Los Angeles, CA, Whisky A Go Go
10. Belfast. Limelight2.
11. Phewelli. HRH fest.
12. Swansea. Scene
16. Bristol. Bierkeller.
17. Basingstoke. Stage.
18. Wolverhampton. Civic.
20. Doncaster. Diamond.
22. Sheffield. Academy2.
23. Edinburgh. La Belle Angele.
24. Glasgow. ABC2
25. London. Academy2

Follow L.A. Guns online:
https://www.facebook.com/LAFknGuns/
https://www.facebook.com/traciiguns
https://www.facebook.com/philip.lewis.1029

lagunslogo

 

Seven – ‘Fight’ official music video

“Fight”, is taken from SEVEN’s new album Shattered, which is released today (September 23rd), by UK label Escape Music Ltd. “Fight” was co-written with well known songwriter Jeff Paris (Mr. Big, Vixen, Y&T, Paul Stanley).

The roots of SEVEN can be traced back to the late ’80s/early ’90s in South Africa, of all places. At the time, Keith McFarlane and the brothers Simon and John LeFevre were in a band called FACE TO FACE, while Mick Devine was drummer in another band, called UC27. After releasing several singles and one album in a period of 18 months, FACE TO FACE split and the brothers LeFevre returned to the U.K. After a few months, they decided to reform the band and Mick was asked to join them in the U.K. as their drummer. It wasn’t before long that the brothers discovered that Mick was actually a better singer than drummer, and so Mick became the band’s lead vocalist. A couple of years later, they were joined by Pat Davey on bass and Austin Lane on drums and the band name was changed to SEVEN.

The AOR scene in the late eighties was a thriving hive of activity. At the turn of the new decade, the likes of Mitch Malloy, Paul Laine, FIREHOUSE, TYKETTO and TALISMAN were all signed up and ready to make an impact on the genre. Everybody wanted an AOR band, and Polydor Records was no exception. Having been fairly successful in the U.K with the likes of MAGNUM and LITTLE ANGELS, the label had set their sights on SEVEN, which at the time was a relatively unknown act from Bournemouth.

SEVEN toured extensively supporting an eclectic variety of acts that included the likes of Jason Donovan, Richard Marx, THE MONKEES and BROTHER BEYOND. It’s a time period that Mick Devine is keen to reminisce about. “Even though they were out and out pop gigs, we loved the crowds and the noise,” he says. “We went from pubs to opening to 3000 screaming fans in Southampton. It is a very addictive adrenaline rush. We got to play all the top venues, which were fantastic — including Wembley Arena, the NEC, BIC, SEC and even the Royal Albert Hall. The Richard Marx tour was definitely the best for us with a more grown up audience we were able to rock it up and truly be ourselves. It went down really well!”

 

With John Parr as producer, they recorded two very strong singles in the shape of “Inside Love” and “Man With A Vision”, both of which achieved moderate success in the U.K.

In 2014, the original bass player Pat Davey was working alongside Robert Hart on an Escape Music album when the name SEVEN cropped up in the conversation. It would seem that Khalil Turk was a big fan, as Devine explains. “Yeah, back in the day, Khalil had really loved the band and he got in touch to see if we would be interested in finally releasing an album,” he says. Without too much convincing, the project was born.

The production talents of Lars Chriss (the LION’S SHARE guitarist whose repertoire includes albums with Steve Overland, Chris Ousey, LUGNET, NIVA and RADIOACTIVE) were enlisted to produce the band’s debut album, called “7”, which was released to critical acclaim and was held up as one of the “albums of the year” on many lists.

Following the success of the first album, a passion was rekindled within Devine and McFarlane, who began work on new material, and along with the writing talents of Lars Chriss, Fredrik Bergh (BLOODBOUND, ROB MORATTI, STREET TALK), Andy Loos (LION’S SHARE, GLORY, CHRIS OUSEY), Kay Backlund (LION’S SHARE, NIVA) and Jeff Paris (MR. BIG, Y&T, VIXEN, RADIOACTIVE), that passion was given focus and a place to come to life. What they discovered was a well of untapped creativity that had been hidden for far too long and the songs poured out.

SEVEN’s “Shattered” is a collection of wonderfully catchy songs that rely on clean and memorable melodies that allow Devine’s distinctive voice to shine through. It was Devine who took the lead in writing the lyrics on this album, matching the intensity and feel of the music to deliver a modern melodic rock album with influences ranging from hints of FOREIGNER in “A Better Life” and “Broken Dream”, JOURNEY in “High Hopes” and even traces of MAGNUM in “Light Of 1000 Eyes” and “Last Illusion”. The lyrical themes are drawn from a depth of life experience and observations and are heartfelt and real. The production talents of Chriss and the lineup of truly great musicians, deliver an album of depth and variation which ranges from driving guitar-led tracks with memorable riffs to melodic anthems, all backed by stunning keys, bass and standout solos. It is an album that is a worthy follow-up to the critically acclaimed “7”.
“Shattered” track listing:

01. Light Of 1000 Eyes
02. A Better Life
03. Fight
04. Shattered
05. Live This Life
06. Pieces Of You
07. Broken Dream
08. High Hopes
09. I Needed Time
10. Taking Over
11. Last Illusion
12. World Of Make Believe (bonus track for Japan)
SEVEN is:

Mick Devine: Vocals
Lars Chriss: Guitars, Drums
Andy Loos: Bass
Fredrik Bergh: Keyboards on tracks (4, 5, 6, 7, 8, 9 & 12)
Kay Backlund: Keyboards on tracks (1, 2, 3, 10 & 11)
Produced and mixed by: Lars Chriss (www.noterious.eu)
Mastered by: Mike Lind
Executive producer: Khalil Turk

Guest backing vocals on “Shattered” and “Taking Over” by Nigel Bailey
and on “Pieces Of You” by Lin Devine
Additional keyboards on “Pieces Of You” by Sören Kronqvist

Web:
www.escape-music.com

 

Glenn Hughes – ‘Heavy’ music video

 

Hevidence release debut album ‘Nobody’s Fault’ in December

Frontiers Music Srl announces the release of Hevidence’s debut album, “Nobody’s Fault” on December 2, 2016.

Hevidence is the brainchild of Italian guitar player Diego Reali, founding member of Italian Prog Metal masters DGM. After he left the band in 2006, he started dabbling in some different musical styles, but his heart called for him to get back to metal! Thus Hevidence were born and Diego joined up with DGM bass player Andrea Arcangeli, singer Corrado Quoiani and drummer Emiliano Bonini.

“This band is highly inspired by the classic hard and heavy sounds from the ’70s and ’80s, that’s why we worked hard to make this album sound the most vintage that was possible,” tells Diego. “We are convinced that a huge dose of improvisation during the recording sessions is needed for the success of an original product. Everyone of us has many different musical influences and they came out in a very spontaneous way within the song writing process, we just believe in the word “ROCK”!!!”

Hevidence offer a mature and personal vision of hard rock and metal with a style reminiscent of the classic Official Yngwie Malmsteen albums mixed with power metal and melodic hard rock influences (think early Europe).

An EPK where you can learn more about the band and hear song samples is here:https://youtu.be/TDzEVFY27Yc

The band will be launching the album with a special “Release Party” show in Roma at the JAILBREAK LiveClub on December 1st. For more info:http://www.jailbreakliveclub.it/

“Nobody’s Fault” tracklisting includes:
1. Dig In The Night
2. Nobody’ Fault
3. Miracle
4. So Unkind
5. Ave Maria
6. Overdrive
7. I Want More
8. Out Of This Time
9. Pack Your Bags
10. All I Ever Needed
11. Note

HEVIDENCE is:

Corrado Quoiani – Vocals
Diego Reali – Guitars
Andrea Arcangeli – Bass
Emiliano Bonini – Drums
Weblink:

www.facebook.com/Hevidence

hevidencecover

 

Dario Mollo’s Crossbones unleash ‘Rock The Cradle’ in December

Frontiers Music Srl is pleased to announce the release of Dario Mollo’s CROSSBONES new album, “Rock the Cradle” on December 2nd.

Best known for his partnerships in the The Cage with Tony Martin (ex-Black Sabbath) and Voodoo Hill with Glenn Hughes (Black Country Communion, Deep Purple, California Breed), Italian guitarist Dario Mollo began his career in 1981 with the band CROSSBONES. With them, he released his first studio album in 1989, which was produced by Kit Woolven (Thin Lizzy Official, MAGNUM and UFO, among others) before getting involved in the production side of things himself.

For this new CROSSBONES album, the Italian axeman brought back original drummer, Ezio Secomandi with the line-up completed by his regular collaborator Dario Patti on bass and keyboards. The choice for the singer was Carl Sentance (Nazareth, Don Airey Band, Persian Risk, KROKUSonline), who came at the suggestion of Don Airey of Deep Purple, during a recent visit to Dario’s home.

“I think this record has a strong identity and character,” tells Dario. “It is a mature production and the songs range on many styles of hard rock and classic heavy metal, but every song has a catchy chorus. I also think this album shows how much I liked working with Carl. He is easily one of the best singers I have ever worked with. I am certain our cooperation will not end with this cd!” concludes Dario. The quality of the material presented here is witness to that statement.

“Rock the Cradle” tracklisting:

1. Red

2. Take Me High

3. Navigation

4. Rock The Cradle

5. Gates Of Time

6. I Got This Feeling

7. In My Blood

8. Running From The Shadow

9. Speed

10. Fright

Links:

www.dariomollo.com

www.facebook.com/dario.mollo

 

dariomolloscrossbones

 

Graham Bonnet – ‘Into The Night’ official music video

 

Xandria reveal details about upcoming album ‘Theater of Dimensions’

The story continues …

After the successful release of XANDRIA’s latest masterpiece “Sacrificium” (2014, Napalm Records) and their spectacular EP “Fire & Ashes” (2015, Napalm Records), the band is ready to unleash their latest effort in terms of fantastic and epic symphonic metal:

Please welcome the highly anticipated brand new album entitled „Theater of Dimensions“!

Theater of Dimensions“ will be released worldwide on January 27th 2017 via Napalm Records!

The band has definitely taken the next big step and will win over fans and critics alike.
XANDRIA commented on their new album „Theater of Dimensions“:
“After the release of “Sacrificium” we embarked on our longest Tour so far. Over 150 shows that took us around the globe. Through so many different countries and diverse cultures. Through so many different, yet inspiring dimensions. We brought back plenty of memories, sometimes just bits and pieces, but those stuck to our heads. And it made us see who we are and where we wanted to take our music. Made us fearless. Made us push our boundaries once more. Made us cross some so-called genre defining borders. Made us bundle all our trademarks and take them to the next level. All this makes the most colourful Xandria album so far. It contains our most heavy and most emotional moments. Again, producer Joost van den Broek did a phenomenal job capturing the atmosphere down to every detail. A Theater of musical Dimensions. Can’t wait to share the songs with you…”

 

XANDRIA will be heavily hitting the road not only in Europe as well as Latin America, Canada and the US!

Find all upcoming tour dates and festival shows listed below:
25.09.16 BE – Eindhoven / FemME
14.10.16 DE – Hameln / Autumn Moon Festival

>> “Fire & Ashes over LATIN AMERICA” <<
presented by IDL Entertainment
15 Oct – Epic Metal Fest – SAO PAULO – Brazil
16 Oct – Rock Experience – RIO DE JANEIRO – Brazil
18 Oct – Montevideo Music Box – MONTEVIDEO – Uruguay
20 Oct – Roxy Live – BUENOS AIRES – Argentina
21 Oct – Casa Babylon -CORDOBA – Argentina
22 Oct – Club Subterraneo – SANTIAGO – Chile
23 Oct – Auditorio Lumiere – BOGOTA – Colombia
25 Oct – Oliver Club – LIMA – Peru
27 Oct – Bunker – SAN LUIS POTOSI – Mexico
28 Oct – Rock & Roots – MONTERREY – Mexico
29 Oct – Red Monkeys – QUERETARO – Mexico
30 Oct – Cosa Nostra – MEXICO CITY – Mexico

02 Nov – The Token Lounge – Westland – Canada
04 Nov –  Imperial Theater – Quebec – Canada *Supporting EPICA
05 Nov – Corona Theatre – Montréal – Canada *Supporting EPICA
06 Nov – The Phoenix Concert Theatre – Toronto – Canada *Supporting EPICA
08 Nov – The Agora Ballroom – Cleveland – OH
09 Nov – Dingbatz – Clifton –  NJ
10 Nov – The Studio At Webster Hall – New York – NY
30 Nov – Rock Stage – Tel Aviv – Israel
02 Feb – 70.000 Tons of Metal -Fort Lauderdale – FL

Stay tuned for many more exciting news to come!
For More Info & News On XANDRIA Visit:
www.xandria.de
www.facebook.com/xandriaofficial

Xandria

 

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HOT! AOR and Melodic Rock News on 14/05/2014

MRCD12 – TRACK LIST AND SELECT SAMPLES REVEALED:
The MelodicRock compilation series of CDs will be added to once again with the release of MRCD12 “Better Days”, due for release June 23.
This compilation is just a little different from past releases. I am attempting to help raise some funds for the school my 3 boys attend, which is a Christian school. So I have compiled some of the best Christian themed songs, or songs of hope, that I could find from the present, future and past.
These range from some of the best known names in our genre to some brand new names that you are definitely going to hear more from in the coming months/years.
Some are active Christian artists, some are more subtle, but all have produced some wonderful songs that I’m very proud to combine into this one compilation. A thank you to all the artists that have supported this compilation.

MRCD12 is going to be a VERY limited public release. There’s only 500 being manufactured ever and the majority of those are going direct to the school. That means that there is a VERY limited supply for MelodicRock.com fans, so when pre-orders come available THIS FRIDAY, get in early to ensure delivery.
The cover art tis time around is from the very talented Nello Dell’Omo from Art For Music, also responsible for the upcoming MRR title Sound Of Eternity (which will also be available for pre-order this Friday).

Speaking of pre-orders – ALL those that pre-ordered Loud Lion and The Radio Sun will have their CDs shipped out by Friday. I’m just packing them up now and some have already left! Lillian Axe pre-orders shipped last week. See showcases to order these titles!

MRCD12 – “Better Days” (with select audio previews):

01) 7th heaven – Sing 
02) Mitch Malloy – You Can’t Fool God
03) Dark Horse – Better Days
04) Stan Bush – The Ultimate
05) Jimi Jamison – As Is
06) Bjarne Langhoff – Jesus Through The Light
07) Journey – Anything Is Possible
08) Toto – Spiritual Man
09) John Elefante – On My Way To The Sun
10) Romeo’s Daughter – Alive
11) Guardian – Price We Pay
12) Sumerlin – You Always Were
13) Anthony Gravley – Where I’m Supposed to Be
14) Jacob Guajardo – Time To Believe
15) Sound Of Eternity – Reason To Live
16) Ken Tamplin – Come Together
17) Jess & Joel Harnell – Mary Did You Know? (Previously Unreleased, Exclusive)


OUTLOUD PRESENT BRAND NEW MUSIC VIDEO FOR THEIR SINGLE “I WAS SO BLIND”:
The Greek kings of melodic hard rock featuring Bob Katsionis (Firewind), American singer Chandler Mogel (Khaos, ex-Talon) and bassist Sverd (AmongRuins) announce the release of their brand new video for the single “I Was So Blind” from their forthcoming album Let’s Get Serious, out on May 23rd on the AOR Heaven label.
The video was filmed at the historic Revenge of Rock club in Athens, Greece, and features brand new members Kostas Milonas (drums) and Jim Scordilis (guitar). Additionally the video stars gorgeous Greek model Angelina Stratigaki and was directed by the renown Greek rock videographer Themis of RawRec Productions. This video marks a long awaited return to form for Outloud, as they further go on to campaign sonically on their upcoming album.
You can view the entire video, right here, right now!

Keep a lookout for Let’s Get Serious in stores in Europe and everywhere digitally on May 23. Facebook: /outloudtheband Twitter: @outloudtheband.


MAGNIFICENT RICK SPRINGFIELD VIBRATIONS:
Great read at Billboard on Rick Springfield and his new book Magnificent Vibrationwww.billboard.com/articles/news/6084831/rick-springfield-opens-up-on-writing-religion-sex-suffering.

When Rick Springfield arrives just before 4 p.m. for a soundcheck at the Barnes and Noble in Manhattan’s Union Square — the location for a 7 o’clock acoustic performance and the first signing for his new book, “Magnificent Vibration” — there are already several dozen fans in line. A good number of them arrived more than six hours earlier to claim their spot at the front of the queue.
In addition to their idol’s latest title — a required purchase for those who want Springfield’s signature — several fans are clutching the singer-actor’s New York Timesbest-selling memoir, 2010’s “Late, Late at Night;” a few are armed with vinyl albums, like 1981’s “Working Class Dog” (which features the Grammy-winning single, “Jessie’s Girl”); and a couple are wearing T-shirts advertising General Hospital, the soap that made him a star.
Despite this show of support, the first-time fiction writer is a ball of nerves in a back room. Even as he’s realizing a lifelong dream of publishing a novel, Springfield is being paid an unwelcome visit by the antagonist from his autobiography: Mr. D, or his persistent depression.

“I’ve been depressed since puberty,” says Springfield, wearing rectangular spectacles and black low-top Converse. “A lot of artists I know are depressed. That’s one thing that writing [“Late, Late at Night”] showed me, that the good side of being depressed and having all these dark issues is that that’s really where the songs come from — where anything I write comes from.”
Springfield is also nervous about how his novel will be received, explains Stacy Creamer, the former Touchstone publisher who bought and edited both of his books. (Creamer was let go by Touchstone last fall but begins her new job as VP, executive editor of Hachette Books in June.) Unlike most celebrities, Springfield penned both titles himself, without the help of a ghost writer.
“We did the memoir and it did well,” says Creamer, one of the few editors who bid on “Late, Late at Night,” which now ranks among Rolling Stone’s 25 Greatest Rock Memoirs of All Time. “So I encouraged him: ‘You might think about writing fiction, because I really think you could write a novel.’”
Those words were music to Springfield’s ears. “I’ve always wanted to,” he says. “I wrote stories as a kid. The only decent grades I got at school was for my essays. I thought that would be my focus, but then I picked up the guitar, and music took over. I channeled it into songwriting.”

Usually writers and editors work together on the shaping of a novel, so imagine Creamer’s surprise when, one day in April of 2013, she received an email from Springfield out of the blue containing a finished manuscript. “I thought, In what world does this happen?” she recalls. “I thought we’d talk about it: What it’d be about, how he would structure it, then he’d write an outline. Rick had written the whole thing on his own in five months!”
Creamer read it overnight and says she “bought it right away.”
“I was able to make the case at the [publishing] house: “The memoir sold well, he’s got a great social media platform,” she says. “But the main thing is, I love the novel. I would have wanted to publish if it hadn’t been by Rick Springfield.”
Indeed, “Magnificent Vibration” is an ambitious, cinematic, darkly humorous first work that vaults backwards and forwards in time and is set in multiple locations. Centered around the main character’s cellphone conversations with God — or, as Springfield calls him/her, the Omnipotent Supreme Being (OSB, for short) — it covers subjects as disparate as religion, masturbation, statutory rape, climate change and the Loch Ness monster, to name only a few.

Early reviews from book-industry insiders have been quite positive. Likening it to “The Hitchhiker’s Guide to the Galaxy,” Booklist compares Springfield’s writing style to “the clever, self-deprecating wit of Augusten Burroughs and Max Barry” and calls “Magnificent Vibration” “captivating, poignant and hilarious.”
Still, Springfield seems quite out of sorts, even as he prepares to face a friendly crowd of faces that obviously see him as nothing less than a conquering hero.
“There’s good stuff about [glowing reviews],” he says, “like, ‘That means I’m better than I thought I was.’ Then it’s ‘No, wait. I’m not, really. It’s just them talking.’ Which is part of my drive, honestly. It’s part of why I’m still doing what I’m doing. Somewhere in me I’m still searching for that golden moment that will suddenly make everything wonderful.”
Springfield sat down with The Hollywood Reporter to talk about keeping his depression in check, his personal concept of God and spirituality and getting a star on the Hollywood Walk of Fame. Read that interview at: www.billboard.com/articles/news/6084831/rick-springfield-opens-up-on-writing-religion-sex-suffering


REST IN PEACE:
Nash the Slash (from the Canadian band FM) has sadly he passed away on the weekend. Full story here: o.canada.com/entertainment/music/nash-the-slash-dead. R.I.P.

THUNDER – A NEW STUDIO ALBUM:
Thunder – A New Studio Album! “Yes peeps, the band has been talking about this for a wee while, and after what has been a rather silly amount of knob twiddling and string pulling, I’m happy to report that they’ve decided to record a new studio album. More details will follow when we get some, but I thought you’d like to know the decision is made. Thanks ~ The Thin & Rather Jubilant One.”

SCHON AND PINEDA COVER POLICE CLASSIC FOR TRIBUTE ALBUM:
News from: www.billboard.com/articles/news/6084852/rock-against-trafficking-slash-heart-steven-tyler-sting-police.

A cadre of rockers has joined forces for a new album to help combat the issue of global child slavery. Coming as the Nigerian terrorist group Boko Haram is threatening to sell nearly 300 kidnapped schoolgirls into slavery, “Set Them Free” features songs by the Policeand Sting covered by Aerosmith’s Steven Tyler, Slash, Journey’s Neal Schon and Arnel Pineda, Joe Bonamassa, Heart, Julian Lennon, Glenn Hughes (Deep Purple, Black Sabbath, Trapeze), Free alumnus Andy Fraser and EnVogue to support and raise funds for Rock Against Trafficking (R.A.T.), a new nonprofit group dedicated to raise awareness of and fight for an end to child slavery worldwide. The set is being curated and produced by R.A.T. founder Gary Stewart, and Schon tells Billboard that a September concert in the U.K. has also been broached.
“This is for a very good cause,” says Schon, who recorded the Police’s “Synchronicity II” with Pineda for the project. “All kinds of artists are on this record. All these different versions of their songs will be on the album, and hopefully a live show that will probably be filmed for the benefit.”
In a statement, R.A.T.’s Stewart says that, “27 million people are slaves today. 80 percent of trafficking victims are women and girls. Fifty percent are minors, and every year two million children are exploited in the global sex trade. We are joining together in a solid commitment through music to make a difference.” 
R.A.T.’s Director of Public Relations John Schayer adds, “It is our goal to unite people around the world to join us in this heartfelt effort to stop child trafficking and send the children home.”
A release date, full track listing and other details are set to be announced in the near future.

THE DEAD DAISIES HEAD TO THE U.S. TO TOUR WITH LEGENDARY ROCK ACTS BAD COMPANY AND LYNYRD SKYNYRD:
The US summer is synonymous with bands going on the road and for The Dead Daisies they’ll be spending it on tour with British classic rock giant Bad Company led by singer Paul Rodgers and American southern rock legends Lynyrd Skynyrd for dates in the United States starting July 10.
Following the release of their self-titled debut earlier this year, The Dead Daisies are proud to announce the Face I Love EP, out Friday 1 August. The eponymous single drops Friday 20 June along with an innovative interactive Facebook Application that will allow fans to be a part of the album cover art and music video. The Dead Daisies are happy to announce that they have signed and will release their new single and EP with local indie label Social Family Records in Australia and New Zealand.
“This is the first group of songs that Diz, Marco and I have recorded with the Daisies,” declares Fortus. “I haven’t been this excited about a recording in a long, long time and think they really capture what the band has developed in to over the last year of touring. It’s new music for classic rock fans!”
The touring lineup includes Jon Stevens (Noiseworks/Inxs) on vocals, David Lowy (Mink/Red Phoenix) on guitar, Richard Fortus (Guns N’ Roses/Psychedelic Furs) on lead guitar, Marco Mendoza (Thin Lizzy/Whitesnake) on bass, Dizzy Reed (Guns N’ Roses/Hookers & Blow) on keys and are pleased to announce the new addition of Brian Tichy (Whitesnake/Foreigner/Billy Idol) on drums.

“I am PSYCHED to hit, and I do mean, HIT!, the road, as well as every drum I can fit on the riser, this Summer with my buds in The Dead Daisies. We clicked the first time and we get to do it again with some of our favorite bands of all time! Bad Company with Simon Kirke! Lynyrd Skynyrd with good bud Michael Cartellone!! Yeah! My goal; groove hard, have fun, and swing for the cheap seats! I look forward to “A Dead Daisies Summer Of Rock, Volume, Ampitheaters, Power And Friends! See y’all there!!!” – Brian Tichy
Despite being a band that consists of seasoned rock veterans, The Dead Daisies celebrate technology and are heavily integrated into social media. On Monday, June 23, 2014 The Dead Daisies will launch the “Face I Love” App on their Facebook page and as well as a mobile app. Created to represent the iconic daisy skull logo of the band, Facebook users will be able to upload an image of the face they love to the App to create a photo-mosaic portrait of The Dead Daisies skull – and make it bloom.
“Face I Love is dedicated to all MUSIC FANS around the world especially The Dead Daisies Fans because, without you, we don’t get to do what we do,” attests Stevens. “It’s like having a massive extended family seeing your smiling faces at our shows and for us that makes it all worthwhile.” 

When the project comes to a close on July 27, the photo-mosaic portrait of The Dead Daisies’ floral skull, made up of thousands of images of fans of the band, will be used as the artwork for EP, music video, single and other promotional items. The promotion is a true collaboration between the band and their fans, bringing real meaning to the title of the song, “Face I Love”.
Marco Mendoza affirms, “’Face I Love,’ was written for our fans and all the faces we see out in the audience when we play. I believe it was one of the first songs that we all collaborated on in the studio for the first time and BAM! Magic!”
This will be the bands second tour of the United States, The Dead Daisies were part of the massive 25-date Rockstar Energy Drink Uproar Festival through the US and Canada a long side Alice In Chains, & Jane’s Addiction among others in August and September of 2013.

The Dead Daisies’ self-titled debut album was released in the US and Canada through Caroline/Universal in August 2013 to exceptional reviews and was a featured iTunes release. Their first single “Lock ‘N’ Load”, a track co-written by and featuring legendary guitarist Slash received airplay on radio networks across the U.S. including national airplay on SiriusXM satellite radio, both Alice Cooper’s and Nikki Sixx’s popular syndicated radio programs and was named Rolling Stone’s Daily Download. The video for the single has been shown on over 20 outlets including play on Much Music, which beams into more than 30 million homes across North America. The song also stormed the UK radio airwaves and was placed on a number of key playlists including Team Rock, Kerrang Radio, and went to number 1 on Planet Rock Radio. It has also received spins on the UK’s largest station BBC Radio 2. Their follow up second single “Washington” was equally successful and went top 20 on the US Rock radio chart (Mediabase). 
This year is set to be a busy year ahead for The Dead Daisies with more dates around the world and the global release of a brand new EP and single in July.

The Dead Daisies Tour Dates (w/ Bad Company & Lynyrd Skynyrd)
July 10 – Bangor, ME – Darling’s Waterfront Pavilion
July 12 – Mansfield, MA – Xfinity Center
July 13 – Darien, NY – Darien Lake Performing Arts Center
July 15 – Raleigh, NC – Walnut Creek Amphitheater
July 16 – Charlotte, NC – PNC Music Pavilion
July 18 – Camden, NJ – Susquehanna Bank Center
July 19 – Bristow, VA – Jiffy Lube Live 

5TH AVENUE ARE BACK:
5th Avenue, the pioneers of Wacken, who had a hit with their cover version of Suzanne Vegaґs “Luka” and split up before their career really got off the ground, have teamed up again and put together a brand new album, mixed by Dennis Ward (Tesla, Pink Cream 69, Unisonic), out May 12 via Ruff Affair Records.
After a 17 year break the Hamburg rock band 5th Avenue are returning to the stage. Along with their several earlier well known classics, the Wacken pioneers will be delighting us with some new sounds and proving just how much they love making music. Their new album It’s been a long way…ќ is out on 12.5.2014. The Hamburg band 5th Avenue formed in 1989 and built up a number of faithful fans in their home town within a very short space of time. They sold out Knust within 15 minutes of tickets going on sale, which even REM didn’t manage and they were able to prove their reputation as a great live act with various club shows and performances at big music festivals. Back in 1989 5th Avenue was one of the first bands ever to play the very first Wacken Open Air – now the biggest metal festival in the world – and as they went down so well with the audience, they were invited to come back and perform at Wacken several times. Live performances included opening for Kathrina & the Wavesќ, Little River Bandќ, Plan Bќ, Saxonќ, Mama’s Boysќ and D.A.D.ќ.
In 1994 and 1995 5th Avenue were voted the most popular Hamburg band in the local daily newspaper Hamburger Morgenpostќ leaving such well-established German acts as Blumfeld and Marius-Muller Westernhagen trailing behind them.
In 1994 5th Avenue signed a record deal with Dream Circle Records/Polydor. The band went off to the States to record their debut album in the legendary Goodnight LA Studios, produced by Roger Summers, an absolute sensation for the still very young band from Hamburg. Their first single ћLukaќ went down well straight away with several radio stations and climbed to top spots in many listeners charts.
Rapid success and the media hype surrounding their USA trip led to tension in the band, with some members leaving and being replaced. The album never got released. 1996 the band split up.

At the end of 2012 5th Avenue decided to finally return to the stage and reform with a new line up. Their first test gigs, among others in the famous Hamburg venue Kaiserkeller and at the Kieler Woche, proved that the band from Hamburg had just as much fun playing as ever and hadn’t lost any of their power and presence on stage. Along with many other shows, the new line up gave a tremendous performance at the Hamburger Metal-Dayzќ in 2013 and were cited by many as being the highlight of the evening.
Currently the band are hard at it in the studio rehearsing the songs from the lost tapes put down all those years ago in the States and laying down new tracks to finally perform to their many loyal and more recently acquired fans.
After 17 long years – nomen est omen – the new album from 5th Avenue It’s Been A long Way will finally be released and presented live on a big festival tour in summer, with such higlights as the Wacken Open Air, Harley Days and Baltic Open Air.
WebLink: www.5thAvenue-Hamburg.de

The Latest From Rock Candy

The following five new Rock Candy titles are available now from www.rockcandyrecords.com for a discounted price including postage to anywhere in the world for the next two weeks ending on March 9.

Ratt ‘Out Of The Cellar’ CANDY212 / Nobody was prepared for the Los Angeles hard rock explosion of the early 80s except, funnily enough, the bands themselves. Activity in the clubs on Sunset Strip had reached tipping point by the time Mцtley Crьe and Quiet Riot were packing out these venues and, just like an explosion in a circus, literally hundreds of bands came tumbling out of the hills ready and willing to claim a slice of the action. Looking good and talking the talk might have worked for some but if you really wanted to hit the big time then you had to be loaded with talent and songs. Step forward Ratt. With a successful independent EP eliciting a tsunami wave of major label interest, Ratt signed with industry heavyweights Atlantic records and were put in the studio with rising production star Beau Hill (later to work with Winger, Warrant, Gary Moore) and record their debut album. Issued in 1984, the results were spectacular; a record that became a three million seller and produced two hit singles in ‘Wanted Man’ and ‘Round And Round’, elevating the band to headline status almost immediately. The secret to Ratt’s success was a unique sound, great songs and great performances – especially from guitarist Warren DeMartini and vocalist Stephen Pearcy. Full of energy, unabashed enthusiasm, musical dexterity and hooks that were instantly embedded in the nation’s conscience; this was a band that took no prisoners in their rise to success. Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology,16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interviews.
Track Listing: 1. Wanted Man 2. You’re In Trouble 3. Round And Round 4. In Your Direction 5. She Wants Money 6. Lack Of Communication 7. Back For More 8. The Morning After 9. I’m Insane 10. Scene Of The Crime.

Ratt ‘Dancing Undercover’ CANDY213 / Formed in 1976, Ratt were initially based in San Diego before moving lock, stock and barrel to Los Angeles in 1980. By this time, however, only vocalist Stephen Pearcy remained from their original line up, with a new unit assembled to take the LA metal scene by storm. Establishing themselves as one of the hottest acts playing the clubs they were soon snapped up by Atlantic Records whose belief was fully justified when their debut album ‘Out Of The Cellar’ sold in excess of three million copies and produced a major hit single with ‘Round And Round’. The band continued to rack-up further platinum awards with the follow up album ‘Invasion Of Your Privacy’ and played sold out arena concerts before going back into the studio to record ‘Dancing Under Cover’. It was a testing time for the band, relationships were strained and cracks began to show. They had barely taken their foot of the gas pedal since recording their debut album and those close to the situation were concerned that such fast paced activity was having a detrimental effect. It’s a minor miracle then that this album maintained such impressive quality. Produced, to pin point accuracy, by long-time associate Beau Hill (Winger, Kix, Warrant), the album contains a fine selection of songs in the finest Ratt tradition. Check out the swish and swagger of ‘Dance’, ‘Body Talk’ and ‘Enough Is Enough’; all killer, no filler.
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology,16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interviews.
Track Listing: 1. Dance 2. One Good Lover 3. Drive Me Crazy 4.Slip Of The Lip 5. Body Talk 6. Looking For Love 7. 7th Avenue 8. It Doesn’t Matter 9. Take A Chance 10. Enough Is Enough.

xx

King’s X ‘Out Of The Silent Planet’ CANDY232 / All hail to the king. The emergence of Texan based power trio King’s X resonated through the music industry like a breath of fresh air. Recoiling under a barrage of hair bands, the scene was fast stagnating but it was King’s X who rode into the fray like knights in shining armour, unleashing a stylistically innovative and brilliant new sound; one that would revolutionise and influence the direction of modern rock for years to come. ‘Out Of The Silent Planet’ is one of the finest hard rock albums of the new era pretty much laying the foundations for the coming tidal wave of grunge. They specialised in powerful detuned guitar work peeling out thick muscular riffs of the type that would soon be appropriated by future Seattle stars such as Alice In Chains and Stone Temple Pilots. That King’s X provided a beacon of light in the black is in no doubt. Originally Issued in 1988, the album is stuffed to the rafters with a brace of extraordinary tunes, each with a lyrical twist that indicated that they were communicating on a far deeper level than what might have been expected from such a robust and bruising outfit. Check out tracks such as ‘Shot Of Love’, ‘Goldilox’ and the classic ‘King’ with its haunting refrain and unnerving defiance.
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology,16 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interviews.
Track Listing: 1. In The New Age 2. Goldilox 3. Power Of Love 4. Wonder 5. Sometimes 6. King 7. What Is This? 8. Far, Far Away 9. Shot Of Love 10. Visions.

Ambrosia ‘One Eighty’ CANDY239 / Based on America’s West Coast, Ambrosia began their recording career in the mid 70s as a full blown progressive rock band, brandishing a sound that was clearly influenced by British groups like Procol Harum, Genesis and Caravan. However, with the passing of time, their style was to radically shift towards a more accessible, song based, approach, resulting in brace of melodically inclined albums that elevated the band’s profile considerably. Issued in 1980 on the Warner Bother’s label, ‘One Eighty’ was the band’s fourth album and is now regarded as the high point of their AOR period. As a six man outfit, the approach is studious yet exploratory; leaving enough space for the songs to breathe and be supported by carefully executed multi-layered backing vocals and a soulful r ‘n’ b undertow. Comparable to other premier melodic rock acts of the period such as Toto, Player and Steely Dan, the album benefits hugely from two US top twenty hit singles, ‘You’re The Only Woman’ and ‘Biggest Part Of Me’; both of which showcase front man David Pack’s world class voice. But don’t go running away with the impression that their music is all sweetness and light; tracks such as ‘Ready’, ‘Shape I’m In’, ‘Cryin’ In The Rain’ and the anthemic guitar driven ‘Rock ‘N A Hard Place’ position the band firmly at the epicentre of a some serious and powerful hard rock. Hugely recommended.
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology,12 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interview.
Track Listing: 1. Ready 2. Shape I’m In 3. Kamikaze 4. You’re The Only Woman 5. Rock N’ A Hard Place 6. Livin’ On My Own 7. Cryin’ In The Rain 8. No Big Deal 9. Biggest Part Of Me.

Ambrosia ‘Road Island’ CANDY240 / Ambrosia started their recording career as a full blown progressive rock band, based in Southern California, but harnessing a sound that was inextricably linked with early 70s British prog rockers. By the eighties the group had morphed into a hugely successful AOR unit, enjoying hit singles and mainstream media exposure very much in the breezy but precise style of Toto, Player and Steely Dan. Of course, the icing on the cake was vocalist David Pack, a man whose voice has been compared to such masters of the art as Bobby Kimball, Michael McDonald and Steve Perry. ‘Road Island’, originally issued in 1982, was Ambrosia’s fifth album and in many ways saw them returning to their progressive roots composing songs blessed with ambitious arrangements. This stylistic volt-face was in part emphasised by their choice of producer, Pink Floyd engineer James Gutherie, with recording partly undertaken in London’s famed Kinks owned Konk Studios. In addition, the album artwork’s illustrative calligraphy (undertaken by Ralph Steadman – one time illustrator of satirical publication Private Eye) was somewhat reminiscent of Pink Floyd’s ‘The Wall’, further emphasising their progressive rock roots. Musically brilliant, the album contains lashings of intelligently conceived tracks, such as ‘For Openers (Welcome Home)’ and the seven minute quasi-prog epic ‘Ice Age’. Other more traditional sounding melodic rock tracks included ‘Still Not Satisfied’ and the Fleetwood Mac reminiscent ‘How Can You Love Me’ – two of the band’s finest compositions.
Special Deluxe Collector’s Edition, fully remastered sound shaped from 24 BIT digital technology,12 page full colour booklet, 3,500 word essay, enhanced artwork, rare photos and new interview.
Track Listing: 1. For Openers (Welcome Home) 2. Still Not Satisfied 3. Kid No More 4. Feelin’ Alive Again 5. How Can You Love Me 6. Fool Like Me 7. Ice Age Endings.

xxxx

Korn & Alice In Chains To Headline First Ever Singapore Rock Festival

Korn and Alice In Chains will headline the first ever Singapore Rock Festival which will be held over two nights on the 5th and 6th of March 2014 at the picturesque and historical Fort Canning Park which overlooks the city. 

Joining Korn on the opening evening will be Rob Zombie, Five Finger Death Punch and Black Veil Brides. The following night will feature grunge icons Alice In Chains, Alter Bridge and the Heavy Metal sound of Newsted.

It will be the first time for many of the bands to appear live in Singapore with fans expected to travel from all over South East Asia for this special event.

LAMC Productions will be holding a unique competition where seven lucky fans can meet and greet the bands as they arrive at Singapore Changi Airport in a competition dubbed 7 Bands / 7 Fans.

To enter you must post a ‘Selfie’ of yourself with your festival ticket. More details about the competition and the ticket information can all easily be found on the official LAMC Productions Facebook page at http://www.facebook.com/lamcproductions.